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August 6, 2010

The Friendless, Voiceless Disney Princess

Most 'family-friendly' movies lack substantive female characters and friendships, according to the Bechdel Test. Then again, so do most movies.

Take a moment to think of the last movie you saw. Did it have:

(1)   Two women with names

(2)   who had a conversation

(3)   about something other than a man?

If so, it passes the three-point Bechdel Test, named for cartoonist Alison Bechdel, who featured the concept in her cartoon strip in the 1980s (she says a friend came up with the idea).

ariel.jpg

I shared this video with my coworker and film critic for Christianity Today, Jeff Overstreet, and he noticed that many of the movies that don’t pass muster are kids’ movies. Of the top-grossing family movies in 2010, Alice in Wonderland and Despicable Me pass; Toy Story 3, Twilight: Eclipse, and Karate Kid squeak by; and How to Train Your Dragon, Shrek Forever After, Iron Man 2, and The Last Airbender flat-out flunk, according to this user-generated list.

Of the feature films put out by Pixar (arguably the high cultural watermark of family films) only three out of ten — The Incredibles, A Bug’s Life, and (barely) Toy Story 3 — pass.

The Bechdel Test can’t tell you if a movie is well-made, funny, or even portrays women in a positive light. But it can tell you that substantive female characters are often absent from the movies most of us are watching. What’s more, so are depictions of substantive female friendship.

When I think back to the Disney princesses who entranced me as a kid in the late ’80s and early ’90s, the Bechdel Test makes me realize how isolated the protagonists were from other women. Ariel of The Little Mermaid literally lost her ability for conversation in her encounter with the other main female character, Ursula, in a conversation about how to get a man. Would her story have been different if she’d talked over her decision with her sisters or her (nonexistent) mother? Princess Jasmine of Aladdin had only a tiger for a confidant, while Belle of Beauty and the Beast confides her troubles to a matronly talking teapot. (It’s hard to say if a teapot counts as a woman.)

The relentlessly merchandised Disney Princess franchise allows little girls to dress themselves and imagine themselves as pretty princesses. And that may be all to the good. But what kind of story are young girls being invited to imagine? Even though the Disney princesses in the 1990s had been somewhat updated as confident, independent heroines, willing to defy parental wishes, their storylines still kept them so walled-off from other women, they might as well have been trapped in a tower by an evil witch.

Sure, it’s farfetched to think of Disney princesses meeting for coffee to discuss art, theology, and politics. But the strong, valuable friendships we rely on deserve to be portrayed in movies. Good friends enrich our lives intellectually, spiritually, and emotionally. They support us through all kinds of challenges — not just boy troubles. When female characters’ conversation is only about men, girls get the implicit message that their life stories, and their friendships, will revolve around boys. It’s a question worth asking: What would a strong friendship between girls or women look like in a kids’ movie? And what would a princess’s story look like if it didn’t revolve around a man?

Have you seen a kid-friendly movie that passed the Bechdel Test? Have you seen one that flunked? Or have you seen a movie in which princesses discuss art, theology, or politics? If so, I promise to go rent it right away.

Hannah Faith Notess is the editor of Jesus Girls: True Tales of Growing Up Female and Evangelical, a collection of personal essays, and managing editor of Seattle Pacific University’s Response magazine.

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Comments

I want to find movies that pass this test. Then I want to make sure that my granddaughter AND my grandsons see it. Because the boys need to understand, too, that girls' lives aren't just about boys.

hmmm...thinking of some older non-animated movies, Anne of Green Gables, Polyanna, Little House Series, Kitt Kittredge, Because of Winn-Dixie, Bridge to Terabithia, Parent Trap...

There may be a very insightful reason for this lack of women's conversations in the Pixar movies, and others. The measurement that says women have to discuss something among themselves in order for the story to be respectful of women could be a bogus measurement. In a film like "The Hours" in which there are three women at the center of the story, I can see women in discussion. But in a story like "The Way We Were" its about a woman trying to make it in a man's world and standing out as a real independent thinker, with all that that cost her. This measurement doesn't encompass enough. Just a thought.

Hayao Miyazaki's film Ponyo, based loosely on The Little Mermaid (the Hans Christian Anderson tale, not the Disney movie version), passes the test. Multiple times.

As a matter of fact, almost all of Hayao Miyazaki's films pass the test. They are considered the Japanese counterpart to Disney's animated features (so much so that Disney owns the rights to distribute the films in pretty much all non-Japanese territory). I'm sorry, but if you're going to point out the Disney princesses, I would suggest you check out some different "princesses" -- found in Princess Mononoke, Castle in the Sky, Spirited Away, Howl's Moving Castle, etc.

Not saying the Miyazaki films are without flaw, but in terms of sexism influencing our children's films, I think Japan was a step ahead of America, and that's one of many reasons I'll happily show the Miyazaki films to my children over and above the Western Disney films (minus Mononoke until they're teens, for the obvious issue of violence).

Thanks for the recommendation, Patrick! I enjoyed Howl's Moving Castle, and I will have to check out Ponyo and the others you mention from Miyazaki.

The movies Anonymous mentioned also make me realize that Walden Media http://www.walden.com/movies/ has done several films with multiple women characters

Jack, I completely agree that the Bechdel Test can't be used to determine whether a movie has something to offer women - many great films with wonderful women characters wouldn't pass the test.

I still hold out hope that Pixar will do more films in the future with female characters; their films are so wonderful and imaginative and have broad appeal - I suspect they are capable of making films with strong female characters that would also appeal to boys and men.

I can think of several interesting movies where women have rich friendships and conversation, but most of them are not kids' movies, which is the subject in view. When I think of the stories which really inspired and defined me as a child, the stories that come to mind are from books, not movies. Maybe that's because my parents taught me to view movies more like candy (if books are entrees), and if so, they were right, in my opinion.

I'm not sure I agree with viewing movies as the candy to books entrée. It may be true for many people because of the movies they watch and how they watch them. But I am a strong believer that film, when made and used properly, has the potential to be just as viable and useful an art form as any other medium, including books...

I enjoy all the movies that don't pass the "Bechdal" test. We sometimes look for something to talk about merely for the enjoyment of casting "flaws" on what we would consider more appropriate or better. There are so many movies out there showing women in healthy relationships that this is truly a non issue in my opinion.

How about the Narnia movies? Lucy & Susan certainly talk to each other about all sorts of things!
Ella in Ella Enchanted discusses the politics of her magical kingdom with her best friend and debates political issues with her stepsisters!
And Anne Hathaway in Princess Diaries discusses politics, leadership, fear, and more with her best friend, mom, and grandma!

I definitely disagree with the comment stating that this is a "non-issue". It's actually a huge, important issue in our culture today! Unfortunately, although we have made great strides towards gender equality, we are not there yet. Apparently some film schools even teach against writing films with strong female leads (http://thehathorlegacy.com/why-film-schools-teach-screenwriters-not-to-pass-the-bechdel-test/)! No, this is definitely an issue and shouldn't be ignored.

Thank you, Hannah, for this insightful post. I love Disney (having grown up during the golden age of animation myself), but still think this is an interesting and unfortunate observation. It's perhaps even more unfortunate though that many don't share that concern.

Jack, I completely agree that the Bechdel Test can't be used to determine whether a movie has something to offer women - many great films with wonderful women characters wouldn't pass the test.

I think your point is a good one, Jack: that the Bechdel Test is a flawed measurement of whether a movie includes multi-dimensional female characters and friendships. ('The Way We Were,' about the strong, smart, *and* romantically inclined Katie Morosky, is a great example.) But I think the Test at least gets moviegoers thinking in the right direction. It helpfully brings to light just how few non-sexualized female characters there are. (By non-sexualized, I mean female characters who are not primarily there to add sex appeal and nudity.)

Thanks for the movie recommendations, Maman and Patrick!

Thanks for raising what I think is a very important topic. You didn't even mention Disney Channel movies, shows, music either. Yikes!

Yes, that's probably a reasonable criticism. There are a number of adult movies about women who aren't obsessed with men (I would recommend The Secret life of Bees, for instance), but less so with Disney animated films. I think the girl in the new Princess and the Frog movie probably has a conversation with her friend about her business, but the friend is something of a dope. Her family is less dysfunctional than Disney usually produces, however. That may be a good example of the difficulties a company like Disney faces, however. They want a strong, independent woman, so they have someone who wants to work her way up in the world and open a business. But what "happily ever after" looks like has to be the same as it has been, and so there are all the same character development difficulties there have ever been: the resolution for a Disney princess movie apparently cannot be ambigous or non-romantic the way Miyazaki's often are, because that's not in the genera, as it were.

Thanks Hannah! Well said. I've also noticed that many of the friendships that do appear in movies are often born out of pain or a difficult shared experience. Of course this often mirrors real life, and movies by design are built on this sort of drama. But often it appears that friendships exist because of a difficult situation rather than because women are healthy and this is what they seek/celebrate in this life. I thought as I read your piece of the older film "Pretty Woman." And how out of a profession that is deeply degrading to women the friendship of Julia Robert's and her friend Kit emerges. CLEARY we are not talking deep film making here but this film is a classic around which many women of my generation still make casual notes and references. And while some might suggest it is because they want a rags to riches princess story where a wealthy Richard Gere to rescues them, my sneaking suspicion is that they could skip the man and that they wanted a friend like Kit.

Very late to this conversation, but in light of Disney's announcement they won't be making any more princess films after Tangled and that they shifted marketing of Tangled from focusing on the female lead to the male, we do still have gender equality issues. This is a problem bigger than the films being made, of course.
I was thrilled to see the Miyazaki recommendation, though, love love love those movies.

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